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supported by 6 fans who also own “AN END FOR EVERY LAST ONE OF US”
Well shit...I just about forgot about this band. That's what I get for having too much shit on my wishlist. Nonetheless--this is good, like really good, death metal. No major frills, but not lacking in finesse and power. It is kind of like a nice cup of black coffee in the morning. Drink it in, take a little while, and enjoy.
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supported by 4 fans who also own “AN END FOR EVERY LAST ONE OF US”
Blackbraid quickly followed up their 2022 debut in 2023 with more native folk infused furious black metal. This is by no means a sophomore slump as it is equally excellent, methodical, melodical, and approachable as the first record. 9/10
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Bury Me Beneath This Rotting Earth
by Body Void
supported by 4 fans who also own “AN END FOR EVERY LAST ONE OF US”
Another release that will blow everything away and will leave you stripped of all your protecting layers. Slowly and deeply grinding into your soul until everything explodes. The vocals tear into your ears and transport phenomenal lyrics. How did I not know them before?
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Me and the Glassbirds
by Heejin Jang
The Doom Trip label never misses, and the latest LP from the genius Heejin Jang is a trip into thrilling industrial terror.
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Punishing industrial music that tackles, “growing up trans and Jewish,” in scalding songs that take no prisoners.
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On her latest record, Margaret Chardiet explores the ways human beings destroy one another.
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May Our Chambers Be Full
by Emma Ruth Rundle & Thou
supported by 4 fans who also own “AN END FOR EVERY LAST ONE OF US”
A thing of vicious beauty. A joining of minds from different planets, yet they still revolve around the same visceral star. Amazing.
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